With a low-budget feature, you have more latitude, from what I've seen. ![]() What you are showing them is "I'm not going to waste your money!" It's understandable that people are nervous about making that sort of commitment without a clear track record!) (Remember that producers have to take a leap of faith with a director that they don't with a writer. You can't make a short and ask people to squint and imagine what it'd look like if you had more money. What I will say, however, is that from what I've seen, a short needs to be exactly of the same production quality of the feature you hope to make. Or maybe you're doing low-budget features. A successful short can open a lot of doors. Maybe you're starting with shorts, and that's fine. That sounds reductive, I know, but by and large what people who succeed in that field do is make the films they can make, and then leverage the success of those films into the opportunity to make bigger films. I mean, in general the way to make indie films is to make indie films. You'll learn a lot from your films (both good and bad), you'll gain a huge amount of experience, and you'll have projects to show (because they'll always want to know what you've worked on already, what you're working on now, etc.). Once you have some filmography under your belt, then begin querying potential representatives. if you can only offer $100 for a weekend, or if you're doling out points/percentages instead, be honest about it), many of those talented people are willing to help out. And, provided that you're transparent about what you're working with (i.e. There are a lot of talented people in those groups. One of the best resources I can recommend, assuming you do go the indie route, is to join some Facebook filmmaking groups (local to your area, of course). My advice? Pursue the true indie route, especially if you have minimal prior experience, aren't a successful name, don't have absurd cash to spend, etc. So it makes sense that most of the advice here revolves around that.īut you didn't ask about that, which is awesome! I love to see filmmakers branch out from that, try new things, whathaveyou. And, generally speaking, that's where a lot of people want to end up (or at least where they think they want to end up). The majority of advice in here is tailored to the mainstream Hollywood stuff. No Sale of Copyrighted Material or Sharing of Confidential MaterialĬorrect. Posts Made by ( u/deleted) Accounts are Subject to Removal Observe Dedicated Weekly Threads for Loglines, Memes, Etc ![]() Provide Descriptive/Informative Titles for Posts Screenplays MUST be properly formatted/Do not post your film without the screenplay. No Contest, Coverage or Service AdvertisingĬomplaints About Paid Feedback Must Include Script and Evaluations No Socks, Trolls or Shitposting, Spam or Off-Topic Postsĭon't post personal blogs, personal websites, or unapproved self-promotion. ![]() WIKI: FAQS & FORMATTING INFO AND RESOURCESĭo not personally attack fellow redditors respect privacy, be encouraging, use your manners.
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