![]() " Be My Love" ( Nicholas Brodszky, Sammy Cahn) - 5:38."Something to Remember You By" ( Howard Dietz, Arthur Schwartz) - 7:15." Blame It on My Youth/Meditation" ( Edward Heyman, Oscar Levant/Jarrett) - 7:19."My Wild Irish Rose" (Traditional) - 5:21." Someone to Watch over Me" (Gershwin, Gershwin) - 5:05."Don't Ever Leave Me" ( Oscar Hammerstein II, Jerome Kern) - 2:47." I Got It Bad (and That Ain't Good)" ( Duke Ellington, Paul Francis Webster) - 7:10." I Loves You, Porgy" ( George Gershwin, Ira Gershwin, Dubose Heyward) - 5:50.The music is exquisite, unnerving and disarming, as the virtuoso bypasses flourish, instead choosing to speak plainly." Track listing and sweetly melodic." Writing for DownBeat, John Ephland commented: "the playing on this solo-piano recording is subdued, but does not lack for earnestness, passion or focus. It is a quite simply magnificent record, swinging in a way that Jarrett has rarely before been swinging. The authors of The Penguin Guide to Jazz awarded the album 4 stars, calling it "a record of fragile magnificence, a sequence of filigreed songs from a common musical past. 2 Jazz album in the DownBeat "Critics Poll 2000", and Entertainment Weekly rated it an A. On the positive side, it was ranked the No. Ginell awarded the album 2½ stars (out of 5) and states, "these performances lack color, contrast and life and while you pull for Jarrett to summon the energy to make music again, the results are touching for a while but soon pall." On the negative side, the AllMusic review by Richard S. The critical reception was more mixed, however, with some critics praising its intimacy, while others criticized its simplicity. "I Got It Bad (and That Ain't Good)" was nominated for the 2001 Grammy Award for Best Jazz Instrumental Solo. The album was commercially successful, becoming one of the best-selling jazz instrumental albums of the 2000s, and winning a number of awards. Reception Professional ratings Review scores It was one of those little miracles that you have to be ready for, though part of it was that I just didn't have the energy to be clever. and the internal dynamics of the melodies. ![]() Then something started to click with the mike placement, the new action of the instrument. I'd just had my Hamburg Steinway overhauled and wanted to try it out, and I have my studio right next to the house, so if I woke up and had a half-decent day, I would turn on the tape recorder and play for a few minutes. I started taping it in December 1997, as a Christmas present for my wife. In an interview in Time magazine in November 1999, he explained: It was recorded during his bout with chronic fatigue syndrome and was dedicated to Jarrett's second and then-wife, Rose Anne: "For Rose Anne, who heard the music, then gave it back to me." The Melody at Night, with You is a solo album by American pianist Keith Jarrett recorded at his home studio in 1998 and released on ECM October the following year. Information - Concerts, News,FAQs, Archives. Organs - Electronic (B3 etc.), Pipe, Theatre. Who's Who - Professional Pianists on Piano World Member Recordings - Non Classical Pianist CornerĮVENTS! Piano Concerts, Recitals, Competitions.įun Stuff! - Parties, Tours, Projects & More.įorum Members Parties, Tours, Cruises, & M. MY NEW PIANO or KEYBOARD! - Share Your Story! I love BGT! I have yet to make it all the way through Robert Ashley's Perfect Lives, but his playing is certainly one of the highlights.ĭigital Pianos - Electronic Pianos - Synths &a. There's so little of his playing on the internet. Here is a link to some of his playing this piece seems to be a series of very short fragments, but it will give you an idea. I wish I could link to his playing of "A Letter from Home," or a newer piece based on a Quaker tune, but one is only available on CD and the other as yet unrecorded. ![]() Much of his playing is ballad-like with sometimes florid free-jazz-like passages. I've just recorded a solo he wrote for me, for my own upcoming CD. He did a lot of work with composer Robert Ashley over many decades. Disclaimer, I suppose, that I know him personally, but I find his playing just stellar and wish I could bring his sound and expression into my own playing. ![]() I also wanted to point you to another pianist/composer who doesn't get nearly enough attention."Blue" Gene Tyranny. And I agree, it's lovely, sensitive playing (I liked some of those more than others). I've been wanting to hear those because people rave about his playing so often.
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